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Blink 182 Whats My Age Again Album Cover

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1999 unmarried past Blink-182

"What's My Historic period Again?"
WhatsMyAgeAgain.jpg
Unmarried by Blink-182
from the anthology Enema of the State
Released April thirteen, 1999
Recorded January–March 1999
Genre Pop punk
Length 2:26
Label MCA
Songwriter(south)
  • Marking Hoppus
  • Tom DeLonge
Producer(s) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Historic period Once again?"
(1999) 		"All the Pocket-sized Things"
(2000)

"What's My Age Once more?" is a song by American rock band Blink-182. It was released in Apr 1999 as the lead single from the group'due south 3rd studio album, Enema of the State (1999), released through MCA Records. "What's My Age Again?" shares writing credits betwixt the band'south guitarist Tom DeLonge and bassist Mark Hoppus, merely Hoppus was the primary composer of the vocal. It was the band'southward first single to characteristic drummer Travis Barker. A mid-tempo pop punk song, "What'southward My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves effectually the onset of age and maturity, and the failure to implement changes in ane's behavior. Hoppus declined to characterization the song as autobiographical, but admitted that he spent his twenties acting young. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Circuitous", an allusion to the popular-psychology concept, only the record label found the reference obscure and adjusted the title. The song's signature music video famously features the band running nude on the streets of Los Angeles. Information technology received heavy rotation on MTV and other music video channels.

Information technology became 1 of the ring's best-performing singles, peaking at number two on Billboard 'southward Modernistic Rock Tracks chart in the U.S. for x weeks. The song placed at number iii in Italy and number 17 in the United Kingdom. Primarily an airplay striking, the song was the band's starting time to cross over to pop radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been chosen a archetype pop punk track; NME placed it at number 117 on its list "150 All-time Tracks of the By fifteen Years" in 2012.[1]

Background and writing [edit]

Bassist and vocaliser Mark Hoppus initially composed the song as a joke.

Blink-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early 1990s, and by the finish of the decade, had reached commercial success with their second album, 1997's Dude Ranch. Its lead unmarried, "Dammit (Growing Up)", became 1 of the most-played U.S. modern rock hits of 1998,[2] sending its parent album to a gold certification and bringing the members newfound notoriety and wealth. With his first advance from major-label MCA, Hoppus purchased a home in the band's hometown of San Diego, California. Hoppus developed "What's My Age Again?" while sitting on the floor and playing guitar in his kitchen/living room.[3] He was attempting to play the song "J.A.R." past Dark-green Day, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came upwards with a new song derived from his failure to perform the part correctly.[4]

Though he initially developed it every bit a vulgar joke song,[5] he felt it had potential as a regular melody. Hoppus claims information technology took him 5 minutes to write. He after presented the vocal to the band while rehearsing at DML Studios in Escondido, California, where they had booked time for two weeks to write new songs.[6] Before that twelvemonth, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk deed the Aquabats. He and DeLonge plant the composition amusing and further developed it in the rehearsal space. The story in the song is non strictly autobiographical, but its central theme resonated with Hoppus, who spent his twenties by his ain access "acting similar a jackass teenager".[7] Barker agreed, later commenting: "[Marker] was a grown homo but kept acting similar a kid."[half-dozen] Many Blink songs center on maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual broad-eyed exploration of information technology" according to writer Nitsuh Abebe.[8]

Composition [edit]

"What's My Historic period Again?" is credited to Tom DeLonge and Marker Hoppus.[nine] Though Barker helped write the songs on Enema of the State, just Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official band member.[10] The song is ii minutes and xx-8 seconds long. The vocal is composed in the key of M-flat major and is set in time signature of common time with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from Db3 to Gb4.[xi] It follows a I–V–vi–IV chord progression, mutual across several genres of music. The band utilize the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes called the "pop-punk progression" because of its frequent use in the genre.[12] The song is incredibly brief compared to virtually singles; within i infinitesimal, nearly two total verses and a chorus accept been completed, and it in total runs two minutes and xx-6 seconds.[three]

The song opens with a catchy, arpeggiated guitar office, following the vocal's chords in playing the root of each chord. The part has been considered tricky to perform; given its quick, articulated nature, it can be difficult to skip over the strings properly.[3] Hoppus's bass line, which has been compared to the Pixies' song "Debaser",[13] situates on the root notes of each chord.[12] The song'due south first poetry detail an intimate human relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a daughter on a weekend appointment. Upon returning home, foreplay ensues, during which the protagonist begins watching television.[xiv] This prompts his insulted partner to leave, leading into the song's chorus, in which Hoppus sings that "nobody likes you lot when you lot're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The song utilizes ability chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[3]

Each chorus is lyrically distinct, which was 1 of Hoppus's original goals; he felt this arroyo kept the song interesting and advanced the story in a creative way. Hoppus had once read that "the best fine art is the evolution of familiarity": an artist introduces an idea, a listener connects with information technology, and the artist slightly alters the original idea to retain a familiar feeling.[three]

Recording and product [edit]

"What'southward My Age Once more?" was the trio's first unmarried with drummer Travis Barker.

After farther development, the grouping presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Green Day'due south breakthrough anthology Dookie (1994). Finn was suggested past the label as an option for producing Enema of the Country; the ring got along with him immediately, and continued to work with him on their time to come projects. Finn would suggest and make adjustments where necessary, though in the case of "What's My Age Again?", he had fiddling notes. By the fourth dimension Hoppus presented the song to his bandmates, the start verse and chorus were written, with its second poetry and bridge section needing farther piece of work. Hoppus and DeLonge crafted an instrumental span that went on for 8 measures, which all agreed felt too long.[3] Finn assisted in shortening the section, and the grouping recorded a demo at DML Studios.

Within the new year, the grouping recorded the song proper. The drums on Enema of the State were tracked at Mad Hatter Studios in North Hollywood, a space once owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, every bit well as picking compressors and at which rate they would run.[3] Barker recorded his drum portions, as well as the residuum of the album's twelve songs, in eight hours.[15] From at that place, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[nine] The band brought in session musician Roger Joseph Manning Jr.—all-time known for his career in the band Jellyfish and work with Beck—to add keyboard parts in the background of the song.[16]

The song originally concluded after its last chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the final chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the squad to "bounce" the mix from the analog tape recorder (a 24 track 2-inch tape) to another tape, and splice the recordings together. With recording complete, the song was sent to engineer Tom Lord-Alge, who mixed the song at his South Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the group often in the future. Lord-Alge added subtle touches, including a panning effect for the title phrase in the last chorus.[3]

Release and nautical chart functioning [edit]

The song'southward title originally referenced fictional children's grapheme Peter Pan.

The working title for the song was "Peter Pan Complex",[xviii] referencing the popular psychology concept of an adult who is socially young. Executives at MCA Records were uncertain that listeners would connect with the title, given information technology goes unmentioned in the vocal'due south lyrics. Previously, the label had appended parentheses to its 2 stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything's Gonna Be Fine)". The label was also concerned virtually litigation from the Walt Disney Visitor, who held rights to the name following their film adaption.[3] The ring disliked the suggestion,[nineteen] but given the artistic freedom MCA had afforded them throughout recording, agreed to the change. Hoppus later conceded the new title made more sense and "feels right".[3] Band management and label executives saw a strong unmarried in "What'due south My Historic period Over again?" although DeLonge felt otherwise: "I didn't empathise information technology, because up to that point, we hadn't had a big single."[19]

Commercially, "What'southward My Age Again?" became i of the band's all-time-performing singles. It was picked equally the atomic number 82 unmarried from Enema of the Land. It was first serviced to radio in April 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the anthology when the song debuted.[twenty] The song did best on Billboard 's Modern Rock Tracks chart; the song first entered the chart during the week of May 8, where it debuted at number 21.[21] It first hit the top v during the calendar week of June five,[22] and striking number two on July 24,[23] where it remained for x weeks backside the Cherry-red Hot Chili Peppers' "Scar Tissue".[24] The vocal crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] Information technology later peaked at number 58 in the issue dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September 11.[27] In the Great britain, the vocal was released twice, start on September 20, 1999, and again on June 26, 2000, following the success of "All the Minor Things.[28] [29] The 2000 re-release peaked at number 17 on the UK Singles Chart.[thirty]

Critical reception [edit]

The truth is that it was always a piddling strange for grown men to be writing songs nigh prom dark and other high-schoolhouse pitfalls, but "What's My Age Once again?" works then well considering information technology tackles that strangeness head-on. Aside from featuring Blink's virtually recognizable riff this side of "Dammit", the song is an honest, relatable cess of what it feels similar to be dragged kick and screaming into adulthood. It's rock and roll every bit escape, yeah, but also as a kind of backpedaling. Allow the rock bands of the '70s champion sex and drugs; these guys simply want to remember what it feels like to be kids again.

—Collin Brennan, Consequence of Sound [31]

Carrie Bell at Billboard deemed the song a "peppy punk canticle"[seven] while Spin columnist Jeffery Rotter called it an "ideal tonic for back-to-school nausea."[32] A Kerrang! author chosen the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song every bit "more mindless, punk-popular guitar thrashing from the world's current favorite American brats ... on the plus side, the vocal — much like Blink-182's career, we hope — only lasts for two-and-a-one-half minutes."[30] Stephen Thompson, writing for The A.V. Gild, complimented its catchy sensibility, remarking, "yous'll never go broke creating an anthem for immature mail-adolescents, even working within a well-worn genre."[34]

Later reviews accept subsequently been positive. Jon Blisten of Beats Per Minute deemed it one of the tape's "finest songs," calling information technology a "twisted, self-depreciating test of human-children."[35] In 2014, Chris Payne of Billboard called it "the quintessential Blink manifesto — the story of a xx-something who withal acts similar a child."[36] The website Effect of Audio, in a 2015 acme ten of the band's best songs, ranked it as number half dozen, with writer Collin Brennan observing that its title is "the question underpinning the entire Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the ring running nude down 3rd Street in Los Angeles.[37]

The music video for "What'south My Historic period Again?", directed past Marcos Siega, features the band running in the nude through the streets of Los Angeles, too as through commercials and daily news programs.[38] It was filmed shortly after completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen adult the thought from the band'due south onstage antics; Barker would oftentimes strip down to his boxers due to rut, while Hoppus would sometimes disrobe entirely, with only his bass guitar covering his genitals.[39] Siega had known the band for many years at that bespeak, having seen them play small clubs years before.[xl] He partially credited the idea to a late-dark talk show segment about a streaker. Hoppus and DeLonge were immediately receptive to the thought; Barker less and then. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. But non in an aggro fashion. They always came across to me as doing it with a wink," Siega afterwards recalled.[16]

The group wore flesh-colored Speedos for most scenes.[41] The clip features a cameo advent by porn star Janine Lindemulder, the model featured on the embrace of Enema of the Country.[42] Barker remembered that motorists "kept staring at us and honking their horns," and that the entire filming took nearly fifteen hours. "They almost got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video start began receiving airplay in early May 1999, debuting on U.S. tv channels MTV, MTV2 and The Box.[44] The video was MTV'due south 2d-most played video for the calendar week catastrophe August i,[45] and remained a pop video on the aqueduct for over 2 years.[46] The video was nominated for Best Culling Video at the 2000 MVPA Awards,[47] merely lost to Foo Fighters' "Larn to Fly".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a prune of the band streaking through Las Vegas,[49] also as through appearances on Total Asking Alive and the scripted sitcom 2 Guys, a Girl and a Pizza Place.[50] Entertainment Weekly writer Chris Willman chosen the video "ubiquitous".[fourteen]

Marcos Siega, the video's director, in 2014.

The video gave the ring a reputation for nudity,[38] leading many critics to pigeonhole them as a joke human action.[fourteen] "It became something of an albatross equally ring members grew up," wrote Richard Harrington of The Washington Post.[50] "Yous know, when we were filming the video for "What's My Age Again?" the whole naked thing was only funny for like 10 minutes. Then, I was the guy standing naked on the side of the street Los Angeles with cars driving by me giving me the finger and shit. It'south funny watching the video at present, but at the fourth dimension, it stopped being funny ten minutes in, and it definitely wasn't funny three days into it," recalled Tom DeLonge.[38]

This reputation would atomic number 82 the ring members to take control of their marketing and paradigm, equally DeLonge afterward commented in 2014:

We were so naïve that we would run around naked, but they'd brand it all glossy and put information technology on posters and make information technology expect like nosotros really were some kind of erotic male child band or some shit. We were coming from the punk scene, but the label fashioned a whole thing around us that we didn't even understand; we were merely kinda caught up in it. So it took us a footling bit to dig out of that and come up back to who we really were. And it's hard to do that once people spend millions of dollars making you lot into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Once again?" has endured as among the band'south well-nigh popular songs, and has widely been considered a watershed moment for popular punk equally a genre. Several of the group's contemporaries ranked the vocal amongst the virtually genre's most influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Elementary Plan, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink'south irreverent, upbeat take on punk stone with hits like "What'south My Historic period Again?" and "All the Pocket-sized Things" was hugely influential."[53] Twenty years afterwards the song'south release, Hoppus noted that fans often decorate birthday cakes on their 23rd altogether with the lyric "Nobody likes you when you're 23", which he felt was an award.[3] The band later paid homage to the song's infamous video in the music video for their 2016 single "She's Out of Her Listen". The clip sees modern-day social media personalities running in the nude in Los Angeles. Lindemulder's identify in the video was taken by actor and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert by the grouping, wrote that the song "visibly infects every member of the audience. Because it'southward a song that recalls the reckless abandon of youth, and the abandon of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[thirty] NME placed it at number 117 on its listing "150 Best Tracks of the By 15 Years" about thirteen years afterward, writing, "Few songs capture the urge of wanting to act stupid and be immature besides as this 2000 unmarried does. [...] This is everything pop punk does well. Its guitar riffs seem to have been soaked in Relentless and its chorus makes you desire to jump effectually the room. It's been imitated thousands of times since, but cipher's come shut to this..."[56]

By the late 2000s, club promoters in the U.K. created nights based around lasting appreciation of the popular punk genre, including ane named after "What's My Historic period Once again?", described as a dark celebrating "popular-punk, youthful carelessness and teenage riot".[57] British radio station BBC Radio one accept a department on ane of their shows named afterward the single and using it equally the theme song. Greg James originated the game on his drivetime show, and has moved information technology to The BBC Radio 1 Breakfast Testify. The game sees Greg pitted confronting an opponent, typically a beau Radio 1 DJ/presenter or celebrity invitee. In the game, 3 listeners phone in and talk to the competitors, who take it in turns to inquire questions, and so endeavor to guess the listeners' age.

On March 26, 2019, the song was lauded past Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics past saying, "it'south very much this portrait of this kind of 23 twelvemonth quondam... Peter Pan complex", noting his enjoyment of the construction of the song, likewise as its tone. Mackey stated, "subsequently the second chorus there's this instrumental break. And there's a lot of instrumental breaks in blink, which I actually like. This one in particular, information technology goes to a small fundamental. Suddenly, it's kind of melancholy. And when they come up out of that instrumental break, and I hear the residue of the words, information technology'southward sort of similar... I feel like, wow, was that a moment of reflection? And so information technology's similar, 'Ah, fuck it. Whatever.' It has that feeling. Information technology sort of deepens it for me."[59]

Mashup [edit]

"What's My Age Once more? / A Milli"
Single by Glimmer-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Popular punk
  • rap rock
Length 2:25
Label Columbia
Songwriter(due south)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What'due south My Age Again? / A Milli"
(2019) 		"I Actually Wish I Hated You lot"
(2019)
Lil Wayne singles chronology
"Be Like Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining tour.[60] The track combines "What's My Age Once again? and Wayne'south 2008 single "A Milli". The duo after released a joint digital single featuring a studio version of the mashup in August of that twelvemonth.[61] The track features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A printing release promoted the new version, which was released to promote the 2nd leg of the aforementioned tour, every bit a "new take on the runway."[62]

The Fader contributor Jordan Darville noted that Wayne altered a lyric from his original poesy, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the State.[9]
Locations

  • Recorded at Signature Sound, Studio West, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Large Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adapted from the YouTube video for "What's My Age Over again?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the State.[64]
Personnel

Blink-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Product

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 All-time Tracks Of The Past fifteen Years". Nme.Com. Retrieved Jan 12, 2012.
  2. ^ "The Year in Music 1998: Hot Mod Rock Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d e f chiliad h i j chiliad DeMakes, Chris (October nineteen, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses blink-182's "What's My Historic period Again?". Spotify.
  4. ^ Aniftos, Rania (October ten, 2020). "Blink-182'southward Marking Hoppus Reveals the Light-green Mean solar day Song That Inspired 'What'south My Age Once again?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (August 14, 1999). "The Modern Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June i, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September vi, 2012. Retrieved September v, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Glimmer-182 What'south My Age Over again? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved Apr 20, 2011.
  12. ^ a b Bennett, Dan (2008). The Full Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Lodge: Revisiting Blink-182′s 'Enema of the Country'". Wondering Sound. October 14, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York Metropolis: Fourth dimension Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January seven, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Blow Up: The Rise of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (Apr 1, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Audio.
  18. ^ Hoppus, Mark (2000). Glimmer-182: The Mark Tom and Travis Show 2000 Official Plan. MCA Records. p. fourteen.
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  30. ^ a b c Shooman 2010, p. 69.
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  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Stone Guy". MTV News. 2000. Retrieved March 5, 2015.
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  49. ^ Shooman 2010, p. 71.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Tin I Say: Living Large, Adulterous Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-v.
  • Hoppus, Anne (Oct 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakup & The Render. Independent Music Press. ISBN978-ane-906191-10-8.

External links [edit]

  • Music video on YouTube

stanleypadmings.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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